Polygamy, Ghosts and Grief Collide in ‘Marlina’ Director Mouly Surya’s Busan Asian Project Market Drama ‘The Wife Who Can See Dead People (Or Jinn)’

Mouly Surya's new project, "The Wife Who Can See Dead People (Or Jinn)," is generating buzz in the industry, particularly after its presentation at the Busan Asian Project Market. The film's unique blend of polygamy, ghosts, and grief is intriguing, especially coming from the director of "Marlina the Murderer in Four Acts," which premiered at the 2017 Venice Film Festival. Surya's previous work showcased her ability to craft complex, thought-provoking stories with strong female leads, which likely contributed to the excitement around her new project.

The film's themes and setting are also noteworthy, as they seem to tap into the rich cultural heritage of Indonesia while exploring universal human experiences. By delving into polygamy and the supernatural, Surya's film may spark important conversations about social norms, spirituality, and the complexities of human relationships. Given the project's presentation at the Busan Asian Project Market, it's clear that industry professionals are eager to see how Surya will develop these themes on screen.

As the project moves forward, it will be interesting to watch how Surya assembles her cast and crew, as well as how she navigates the production process. With the Venice Film Festival being a key platform for emerging and established filmmakers alike, it's possible that "The Wife Who Can See Dead People (Or Jinn)" could make a splash on the festival circuit in the future. Keep an eye on Surya's progress and any updates on the film's production and distribution.

Originally reported by variety.com. VeniceNews adds analysis for culture, style & media readers.