‘What Remains’ Review: A Pensive but Stirring Drama Finds Poetry in the Landscapes of Rural Turkey
If you love something, let it go, the adage advises, and maybe it will come back to you. Maybe, however, it will go and go and go and never come back, and that, so Yeşim Ustaoğlu’s increasingly lyrical and persuasive “What Remains” would have it, might be its own sort of reclamat
The film "What Remains" has caught the attention of critics and audiences alike, particularly with its poignant portrayal of rural Turkey's landscapes. Director Yeşim Ustaoğlu's work is a pensive drama that masterfully weaves a narrative of love, loss, and longing. The film's use of lyrical storytelling and stunning visuals has drawn comparisons to other acclaimed cinematic works that explore the human condition.
The fact that "What Remains" has resonated with critics and viewers in Venice is no surprise, given the city's reputation for embracing artistic and culturally significant films. The film's themes of identity, community, and the passage of time are sure to strike a chord with audiences familiar with the works of Turkish filmmakers like Nuri Bilge Ceylan and Çağan Irmak. As the film garners attention, it's clear that Ustaoğlu's unique voice and perspective are making a meaningful contribution to contemporary world cinema.
As the film continues to make its way through festivals and eventually to wider audiences, it's worth keeping an eye on how "What Remains" will be received by viewers in different cultural contexts. Will its themes and imagery resonate with audiences in other parts of the world, or will its specifically Turkish setting and sensibility limit its appeal? Additionally, what's next for Yeşim Ustaoğlu, and how will she build on the momentum generated by "What Remains"? These are just a few questions to consider as the film's trajectory continues to unfold.
Originally reported by variety.com. VeniceNews adds analysis for culture, style & media readers.